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Andrew Berardini writes about the permeability between imagination and reality in mostly fictive essays and essayist fiction, as well as often about the art of Los Angeles where he lives. He has been a lecturer at the Mountain School of Arts since 2008. An occasional curator, Andrew has organized with collaborators a metaphysical disco at the Church of the Holy Shroud in Turin, a Latin American chain letter at the Palais de Tokyo in Paris, and a slightly anarchistic metafiction at the UKS in Oslo. Formerly an assistant editor at Semiotext(e), he is currently a contributing editor for Artslant, Momus, Art-Agenda, and Mousse as well as a founding editor of The Art Book Review. In addition to being a finalist for the Premio Bonaldi Award for young curators and winner of an Andy Warhol/Creative Capital Grant for Art Writers in 2013, he was recently awarded with Martha Kirszenbaum and Jesse McKee a 221a Curatorial Residency Grant.